Comic Book Implosion by Keith Dallas and John Wells (book review).
As Keith Dallas and John Wells explain in their introduction to their book, ‘Comic Book Implosion’, there hasn’t been a
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Back Issue! #106 August 2018 (magazine review).
In some respects, looking at the latest issue of ‘Back Issue!’, you would think that it’s moving into ‘Alter Ego’
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The 10c War: Comic Books, Propaganda And World War II edited by Trischa Goodnow and James L. Kimble (book review).
As you can tell from the title, ‘The 10c War: Comic Books, Propaganda And World War II’, this book sets
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Tumult by John Harris Dunning and Michael Kennedy (graphic novel review).
‘Tumult’ is a graphic novel written by John Harris Dunning, drawn by Michael Kennedy and brought to you by SelfMadeHero,
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Comics And Adaptation edited by Benoít Mitaine, David Roche and Isabelle Schmitt-Pitiot (book review).
There are a few things that you become aware of when you start reading the introduction to ‘Comics And Adaptation’.
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Superman: The Coming Of The Supermen by Neal Adams (graphic novel review).
Anything with the name of ‘Neal Adams’ on it is going to sell in comicbooks. This 2017 graphic novel is
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Don Lawrence: Illustrators And Comic Strip Art: An Illustrators Special #3 (book review).
I’m beginning to feel old when I say you have to be a certain age to remember British comicbook Don
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Marvel Platinum: The Definitive Deadpool Reloaded by Fabian Niceieza, Joe Kelly, Daniel Way, et al. (graphic novel review).
‘The Definitive Deadpool Reloaded’, the ‘Reloaded’ part meaning it’s another collection, so even more ‘Definitive’ then before, is something of
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Visions Of The Future In Comics edited by Franceso-Alessio Ursini, Adan Mahmutović and Frank Bramlett (book review).
Sometimes, picking out books for review merely on title doesn’t necessarily know quite what or how the subject matter is
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Doctor Who: Land Of The Blind by Scott Gray, Dan Abnett, Lee Sullivan, Martin Geraghty, Graten Roberts & Nick Briggs (graphic novel review).
After being off the air for four years, ‘Doctor Who Monthly’ changed its approach to its traditional comic-strip which, at
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