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Sunday, April 26, 2026
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FilmsMEDIA

Shadow Dancer (film review) by Frank Ochieng.

The taut political suspense thriller ‘Shadow Dancer’ spins a tale of terrorism that works fabulously on the nerves. Armed with

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FilmsMEDIA

Dallas Buyers Club (film review) by Frank Ochieng.

Disturbing, poignant and brilliantly acted, the potent impact of ‘Dallas Buyers Club’ certainly is a shocking triumph as both social

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FilmsMEDIA

How I Live Now (film review) by Frank Ochieng.

There is nothing like pandering to that elusive teen crowd at the box office when dispersing adolescent angst with worldwide

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FilmsMEDIA

In A World… by Frank Ochieng (film review).

The attempt to satirise certain aspects of Hollywood in the movies tends to have that certain hit-and-miss quality. Basically, one

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FilmsHorrorMEDIA

Blue Caprice (film review) by Frank Ochieng.

‘Blue Caprice’ is a different kind of riveting horror movie of sorts. No, it does not feature the CGI visibility

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FilmsMEDIA

Closed Circuit (film review) by Frank Ochieng.

The premise for ‘Closed Circuit’ looked quite promising: a sophisticated political thriller steeped in conspiracy, mayhem and mystery. One was

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FilmsMEDIA

Passion (film review) by Frank Ochieng.

The problem with some legendary filmmakers is that when they let their guard down slightly and dip into uncharacteristic mediocrity

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FantasyFilmsMEDIA

Percy Jackson: Sea of Monsters by Frank Ochieng (film review).

The refreshing twist about ‘Percy Jackson: Sea Of Monsters’ is that it is a children’s nautical fantasy geared to introducing

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FilmsMEDIAScifi

Elysium by Frank Ochieng (Film Review).

There is no doubt about the majestic vision and scope that South African filmmaker Neill Blomkamp holds for his illuminating

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FilmsHorrorMEDIA

You’re Next by Frank Ochieng (film review ).

One can make the argument that the home invasion thriller feels rather familiar in the wake of this particular genre’s

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  • Speed Demon: horror film, The Nun, The Demon, and the 5:42 to Doomsville (trailer).
  • Jim Aparo: Brave & Bold Artist by Eric Nolen-Weathington and Jim Amash (book review).
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