Ma (2019) [a film review by Frank Ochieng].
Mother Nature has a stormy forecast of hackneyed horror cloudiness on the pseudo-suspenseful radar courtesy of director Tate Taylor’s sketchy
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Captive State (2019) [a film review by Frank Ochieng].
If one is going to call its edgy alien invasion SF flick as compelling and intriguing as ‘Captive State’ , then
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Non-Stop (film review by Frank Ochieng).
So the steely-eyed, sixty-something Liam Neeson is at it again carrying both an itchy trigger finger and a grudge on
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Pompeii (2014) (film review by Frank Ochieng).
Filmmaker Paul W. S. Anderson’s misguided molten-driven melodrama Pompeii is not as explosive in conception as one would imagine based upon its
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Nurse 3-D (film review by Frank Ochieng).
Sometimes what is considered someone’s trashy findings is indeed another person’s treasure. Co-writer/director Douglas Aarniokoski may very well fit this
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Winter’s Tale (2013) (film review by Frank Ochieng).
Naturally, love is all around now that the seasonal Valentine’s Day spirit is floating in the air. Of course, this
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Gravity (film review) by Frank Ochieng.
If anything else, the movie-going experience should pander to our visual expectations in the omnipresent genre of Science Fiction. The
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Shadow Dancer (film review) by Frank Ochieng.
The taut political suspense thriller ‘Shadow Dancer’ spins a tale of terrorism that works fabulously on the nerves. Armed with
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Insidious: Chapter 2 by Frank Ochieng (film review).
Well, the gang are all back for a second helping of manufactured lunacy in ‘Insidious: Chapter 2′: writer-director James Wan,
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Blue Caprice (film review) by Frank Ochieng.
‘Blue Caprice’ is a different kind of riveting horror movie of sorts. No, it does not feature the CGI visibility
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