Retrovival by Douglas Thompson (book review)
At the centre of some books there is a good, original idea. What is important is the way this is used. That is not just down to the skill of the writer but also the other ideas that surround it. The heart of โRetrovivalโ is a technique that has been developed that can retrieve the memories from a long dead brain and display them as images. Set in an independent 2089 Scotland, the process, which involves flooding the tissue with Smart Blood, has been developed as an archaeological tool. When the well-preserved bodies of two Romans are found in bog near the remains of the Antonine Wall built between the Forths of Firth and Clyde in AD 142. An accident happens, details of which are very sketchy, resulting in the centurionโs corpse being reanimated. He escapes from the facility and wanders around the countryside looking for his barracks.
The exploration of the two timelines and the confusion Caius the centurion experiences is well handled but what could be a very effective story tends to be subsumed in politics. Anything could happen in the future. This one predicts that after Scottish independence, the conditions in England deteriorate into chaos, there is no suggestion that these are linked, resulting in the English trying to cross the border into Scotland and seek refugee status. Meanwhile, the Scots have elected a president who is portrayed as a female version of Trump. She has built a fence across Scotland and turns a blind eye to the Border Guards killing those trying to breach it. If this is supposed to echo the Antonine Wall, the analogy doesnโt quite work as the Scottish tribes did not particularly want to invade England, whereas the president invades Northumberland in this book, and it is generally thought that the Antonine and Hadrian Walls doubled as customs posts.
Often, it is little things that take the reader out of a book and change expectations. There is a prologue in which a Roman soldier, probably intended to be Caius, on AD 142 and a Border Guard in 2088 have similar dreams of seeing each other on opposite sides of a glass wall. While this could be an intriguing notion that is never really explored, the problem is that the Roman claims that glass in a new invention whereas it had been around since 3500 BCE and the Romans developed glass-blowing around 100 BCE and by 100 AD had become cheap enough for the ordinary Roman to own pieces. The question is rather whether the Roman would recognise the transparent barrier between the two warriors as glass.
I have objections to the Scots being labelled โdangerous blue-painted savagesโ. Even of this is supposed to be the opinion of the centurion, in the context of the book it is reinforcing stereotypes that current thinking believes are probably wrong. It may be nit-picking bit there is a difference between barbarians and savages. Barbarians, like the northern tribes, had their own cultures, savages donโt.
There is an unfortunate but too real streak of racism running through this book. It manifests most strongly in the first chapter with the Lachlan the Border Guard and his attitude to the English and his compunction to killing those who try to cross the border. This sets a tone for the book which might not be the authorโs actual intention, especially as Lachlan is only referred to in passing in the rest of the volume. Later, the prejudice comes out again very strongly, when Trevor, the English archaeologist, is driven out of a pub, has his house targeted by graffiti, victimised in the press and imprisoned.
On a stylistic point, it is very off-putting and frustrating to have all the dialogue in italics. It makes it very difficult to attribute speech. There are other issues with this book both factual and stylistic. It is a shame that a good idea has been suffocated by a plot line that does not really work.
Pauline Morgan
October 2025
(pub: Elsewhen Press, Dartford, Kent, UK, 2025. 234 page paperback. Price: ยฃ12.00 (UK). ISBN: 978-1-915304-67-4)
check out website: https://elsewhen.press/index.php/catalogue/title/retrovival/ย