Sinister II (film review by Frank Ochieng).
In filmmaker Scott Derrickson’s original ‘Sinister’, this writer’s critical impressions toward the sub-par psychological yarn was rather blunt if not
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Tracers (2015) (film review by Frank Ochieng).
Okay, so maybe cinema life has not been so kind to hunky hotshot Taylor Lautner in the aftermath of the
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The Man From U.N.C.L.E. (film review by Frank Ochieng).
The high-powered and hyper-kinetic ‘The Man From U.N.C.L.E.’ is a pulsating production that one would expect from the off-kilter imagination of writer-director
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The Gift (2015) (film review by Frank Ochieng).
Traditionally, horror films and psychological thrillers follow a predictable path in their themes of dot-to-dot suspense. Rarely does a suspense
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Fantastic Four (film review by Frank Ochieng)
So the question remains: does Marvel Comics continue its movie-making tradition of escapist excess on the big screen with the
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Mission: Impossible-Rogue Nation (film review by Frank Ochieng).
Some over-stuffed blockbuster actioners boldly boast their explosive and invigorating productions with dynamic glee. Well, the ‘Mission: Impossible’ film franchise echoes this
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Pixels (film review by Frank Ochieng)
Nostalgia can be something to revisit as a decent form of escapism from one’s current worries. It feels so refreshing
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Creep (film review by Frank Ochieng).
The disturbing and mind-bending ‘Creep’ certainly startles with its sense of sophisticated salaciousness, so why should it not meet the expectations of its
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Ant-Man (film review by Frank Ochieng).
When one thinks of a typical super-hero actioner, they imagine the boisterous boundaries that are associated with such an explosive
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These Final Hours (film review by Frank Ochieng).
The depiction concerning doomsday dramas in the movies always seem to have a mixed bag reception when tackling its dour
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