Devil’s Due (a film review by Frank Ochieng).
The derivative shock-schlock wagon continues to roll on with the dull and unimaginative frightfest ‘Devil’s Due’, a monotonous hybrid of
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The Nut Job (film review by Frank Ochieng).
Today’s kiddies really do not realise how some of their contemporary cartoon icons fail to measure up to the creativity,
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Do the Oscars Offer a Generous Wink at Science Fiction Cinema from 2013? by Frank Ochieng (article)
The Academy Award nominations were announced on Thursday, January 16, 2014. Of course the news of celebrating what appears to
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The Legend Of Hercules (film review by Frank Ochieng).
Greek mythology’s famous strongman ironically fails to bust out of director Renny Harlin’s weak-kneed and corroded costume drama ‘The Legend
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47 Ronin (film review by Frank Ochieng).
Okay folks…here is the riddle of the moment: what do you get when an expressionless Keanu Reeves moping around in
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The Hobbit: The Desolation Of Smaug (film review by Frank Ochieng).
Avid moviegoers are once again reacquainted with the imaginative scope of J.R.R. Tolkien’s festive wonderworld in writer-director Peter Jackson’s frenetic
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The Last Days on Mars (film review by Frank Ochieng).
Filmmaker Ruairi Robinson’s derivative danger-in-space sci-fi thriller ‘The Days On Mars’ not only sports an uneventful movie title but lacks any distinctive
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All Is Lost (film review by Frank Ochieng).
Survivalist tales at the movies are kind of tricky to execute because you are basically asking the audience to invest
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The Magic Ferret (film review by Frank Ochieng).
Filmmaker Alison Parker’s short film ‘The Magic Ferret’ is a quaint, sweet and inspirational kiddie tale about one youngster’s expectations
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12 Years A Slave (film review by Frank Ochieng).
On those rare, bold and special occasions cinema has a definitive way of capturing the historical hideousness of human despair
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