The Lords Of Salem (Frank’s Take) (film review).
Heavy metal-hedonist-turned-horrormeister Rob Zombie’s bombastic B-movie schlock ‘The Lords Of Salem’ is not what one would call a crowning achievement
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Oblivion (Frank’s Take) (film review).
The boisterous space-aged yarn ‘Oblivion’ is a post-apocalyptic popcorn pleaser that may be met with mixed reception depending on your
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Scary Movie 5 (Frank’s Take) (film review).
Quite honestly, we needed another ‘Scary Movie installment much like an aging shaggy dog needs to open up his own
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Disconnect (Frank’s Take) (film review).
Director Henry Alex Rubin’s (‘Murderball’) provocative and powerful cybercrime saga ‘Disconnect’ actually makes a solid connection in the cautionary fable
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Antiviral (Frank’s Take) film review.
The creepy creativity does not fall far from the twisted tree in the filmmaking realm of writer-director Brandon Cronenberg. Brandon,
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The Company You Keep (Frank’s Take) (film review).
Hollywood icon and filmmaking legend Robert Redford gets right down to the real nitty-gritty as a roaring liberal lion on
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Evil Dead (Frank’s Take) film review.
One thing is for certain: ‘Evil Dead’ — both the 1981 Sam Raimi-directed original and the Fede Alvarez-directed 2013 reboot
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Trance (Frank’s Take) film review.
Writer-director Danny Boyle is an infectious breed of a filmmaker that does not hesitate in flourishing his colorful narratives with
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6 Souls film review (Frank’s Take).
The muddled macabre melodrama ‘6 Souls’ has undergone two movie title changes (it was formerly known as ‘Shelter’ back in
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The Brass Teapot film review (Frank’s Take).
If one buys into director Ramaa Mosley’s dark and off-kilter lightweight comedy ‘The Brass Teapot’ then you are under the
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