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You are here:Home » MEDIA » Films » Page 187
FilmsHorrorMEDIA

Blood Punch (2015) a film review by Mark R. Leeper.

‘Breaking Bad’ made the world of methamphetamine dealing seem strange and fantastic. That is nothing compared to what ‘Blood Punch’

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The Maze Runner: The Scorch Trials (new trailer).
FilmsScifi

The Maze Runner: The Scorch Trials (new trailer).

More YA book-to-film action in the form of the Maze Runner: The Scorch Trials movie – here’s the trailer. Lots of

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FilmsHorror

Eyes Without A Face (1960) Blu-ray/DVD film review.

From France and made in 1960, ‘Eyes Without A Face’ is a classic black and white horror film directed by

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Films

Shaun The Sheep Movie (2015) film review by Mark R. Leeper.

Claymation specialists Aardman Studios tries a silent, feature-length animated film with Shaun leading his fellow sheep to the big city,

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Victor Frankenstein (first trailer).
FilmsHorror

Victor Frankenstein (first trailer).

James McAvoy and Daniel Radcliffe star in the reboot of the Frankenstein tale. Radical scientist Victor Frankenstein (James McAvoy) and

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FilmsMEDIA

The Man From U.N.C.L.E. (film review by Frank Ochieng).

The high-powered and hyper-kinetic ‘The Man From U.N.C.L.E.’ is a pulsating production that one would expect from the off-kilter imagination of writer-director

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Message From Hiroshima (2015) (a film review by Mark R. Leeper).
CultureFilmsMEDIA

Message From Hiroshima (2015) (a film review by Mark R. Leeper).

First time writer/director Masaaki Tanabe recreates the place where he lived as a boy in Hiroshima as part of his

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FilmsHorrorMEDIA

The Gift (2015) (film review by Frank Ochieng).

Traditionally, horror films and psychological thrillers follow a predictable path in their themes of dot-to-dot suspense. Rarely does a suspense

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FantasyFilmsMEDIA

Molly Moon And The Incredible Book Of Hypnotism (2015) (a film review by Mark R. Leeper).

An orphan whom nobody seems to love reads a rare book on hypnotism and goes through a series of adventures

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ComicsFantasyFilmsMEDIAScifi

Fantastic Four (film review by Frank Ochieng)

So the question remains: does Marvel Comics continue its movie-making tradition of escapist excess on the big screen with the

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