The Company You Keep (Frank’s Take) (film review).
Hollywood icon and filmmaking legend Robert Redford gets right down to the real nitty-gritty as a roaring liberal lion on
Read More
Evil Dead (Frank’s Take) film review.
One thing is for certain: ‘Evil Dead’ — both the 1981 Sam Raimi-directed original and the Fede Alvarez-directed 2013 reboot
Read More
Trance (Frank’s Take) film review.
Writer-director Danny Boyle is an infectious breed of a filmmaker that does not hesitate in flourishing his colorful narratives with
Read More
6 Souls film review (Frank’s Take).
The muddled macabre melodrama ‘6 Souls’ has undergone two movie title changes (it was formerly known as ‘Shelter’ back in
Read More
The Brass Teapot film review (Frank’s Take).
If one buys into director Ramaa Mosley’s dark and off-kilter lightweight comedy ‘The Brass Teapot’ then you are under the
Read More
The Place Beyond The Pines film review (Frank’s Take).
Writer-director Derek Cianfrance’s (‘Blue Valentine’) thought-provoking drama of male-driven consequences in ‘The Place Beyond The Pines’ is a decent meditation on
Read More
Room 237 (film review) (Frank’s Take).
Filmmaker Rodney Ascher’s amusingly off-kilter, observant and contemplative documentary ‘Room 237′ certainly proves that wild imaginations, sophisticated forethought, crafted misinterpretations
Read More
Blancanieves (Frank’s Take) (film review).
Recently, Hollywood has had a fascination with the classic fairy tale ‘Snow White’ by ushering out showy big screen depictions
Read More
Welcome To The Punch (Frank’s Take) (film review).
Writer-director Eran Creevy (‘Shifty’) delivers an edgy yet disjointed British crime drama in the convoluted ‘Welcome To The Punch’. Although
Read More
The Host (Frank’s Take) (film review).
The true queen of teen torture and angst, novelist Stephanie Meyer, shows how to milk a mawkish melodrama while tapping
Read More