They Drew As They Pleased: The Hidden Art Of Disney’s Musical Years (The 1940s – Part One) by Didier Ghez (book review).
It should hardly be surprising that the second volume of Didier Ghez’ book ‘They Drew As They Pleased: The Hidden
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Filmmaking For Change 2nd Edition by Jon Fitzgerald (book review).
‘Filmmaking For Change’ has nothing to do with creating films on the cheap ie small change. Well, maybe, when you
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They Drew As They Pleased: The Hidden Art Of Disney’s Golden Age: The 1930s by Didier Ghez (book review).
Didier Ghez in his introduction to ‘They Drew As They Pleased: The Hidden Art Of Disney’s Golden Age: The 1930s’
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Suspense With A Camera: A Filmmaker’s Guide To Hitchcock’s Techniques by Jeffrey Michael Bays (book review).
Director Alfred Hitchcock was well titled as the ‘Master of Suspense’. He instinctively knew which hooks to use to grab
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Shooting Better Movies: The Student Filmmakers’ Guide by Paul Dudbridge (book review)
When I saw this book, ‘Shooting Better Movies: The Student Filmmakers’ Guide’ by Paul Dudbridge, I did wonder at the
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Superheroes On World Screens edited by Rayna Denison and Rachel Mizsei-Ward (book review).
I was rather amused by the introduction saying there wasn’t many books out there about comicbook characters being adapted into
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Write! Shoot! Edit!: A Complete Guide To Teen Filmmakers by Deborah S. Patz (book review).
As the title, ‘Write! Shoot! Edit!: A Complete Guide To Teen Filmmakers’, suggests, Deborah S. Patz’ book is aimed at
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Making The Magic Happen by Peter D. Marshall (book review).
‘Making The Magic Happen’ has nothing to do with conjuring but as the sub-title of Peter D. Marshall’s book proclaims,
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American International Pictures: The Golden Years by Gary A. Smith (book review).
If you look at the title and wonder what ‘American International Pictures’ is, go by the initials AIP and this
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Producer To Producer (2nd Edition) by Maureen A. Ryan (book review).
From the start, in her book ‘Producer To Producer’, Maureen A. Ryan points out there is always a need for
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