The Mortal Instruments: City Of Bones by Frank Ochieng (film review).
Well, the search for the next ‘Twilight’ phenomenon continues desperately as Hollywood coughs up yet another pretender in the clunky
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After Earth (film review by Frank Ochieng).
The practice of nepotism in Hollywood — as in other areas of industry — can be a mixed bag of
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Erased (film review by Frank Ochieng).
The thought of churning out another ‘daddy-and-daughter-in-danger’ spy flick seemed somewhat bewildering considering the exhaustive overdose of the Liam Neeson
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Pain & Gain (Frank’s Take) (film review).
Filmmaker Michael Bay continues to tap into the spinal cord of his frenetic flicks that toss around manufactured cheese and
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Welcome To The Punch (Frank’s Take) (film review).
Writer-director Eran Creevy (‘Shifty’) delivers an edgy yet disjointed British crime drama in the convoluted ‘Welcome To The Punch’. Although
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G.I. Joe: Retaliation (Frank’s Take) (film review).
Okay…so one realises that the acquired taste for the turgid testosterone-driven ‘G.I. Joe: Retaliation’ is not quite sophisticated for the
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Jack the Giant Slayer (film review) (Frank’s Take).
Fee…Fi…Foe…Fum…I detect an unfavorable critique from the blood of a disenchanted American movie critic! What do you know…some giants are
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The Impossible film review (Frank’s Take).
The genre of the disaster film has always maintained a sense of destructive visual surrealism, penetrating action sequences, roguish intrigue
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Red Dawn film review (Frank’s take).
This is just what the cinema world was really clamoring for at this moment…a pointless and protrusive generic action war
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Skyfall – Frank’s take (film review).
As the cinema world celebrates the 50th anniversary of the badass British superspy known internationally as Agent 007, craggily-faced Daniel
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