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You are here:Home » Archives for FrankOchieng » Page 3
FantasyFilmsMEDIA

How To Train Your Dragon: The Hidden World [2019] (a film review by Frank Ochieng).

Training an animated dragon after two successful previous films while appeasing the appreciative audience is the easy part. However, reaching

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FilmsHorrorMEDIA

The Changeover [2019] (a film review by Frank Ochieng).

The Young Adult (YA) film genre has had its ups and downs throughout the years in all kinds of categories

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Anime/mangaMEDIAScifi

Alita: Battle Angel [2019] (a film review by Frank Ochieng).

It should not be such a novelty act to witness resilient feminine empowerment at the helm of an adventurous SF-oriented

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FilmsHorrorMEDIA

Happy Death Day 2U [2019] (a film review by Frank Ochieng).

Due to the unexpected success of the original 2017’s ‘Happy Death Day’ outing the cheekily fun and frolicking fright farce was tasty

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FilmsHorrorMEDIA

The Prodigy [2019] (a film review by Frank Ochieng).

So it appears that ‘The Prodigy’ is the latest evil kid creepfest to re-emerge and offer its familiar spin on the

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FilmsHumourMEDIA

The Lego Movie 2: The Second Part [2019] (a film review by Frank Ochieng).

Well, ‘The Lego Movie’ film franchise can at least say that it had its playful run throughout the years since the original

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FilmsHorrorMEDIA

Painkillers [2019] (a film review by Frank Ochieng)

Director Roxy Shih’s (‘The Tribe’) psychological thriller ‘Painkillers’ is a horror showcase of a different kind. The decorated demons and lingering

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FantasyFilmsMEDIA

Mary Poppins Returns [2018] (a film review by Frank Ochieng).

One is not sure whether it is foolish or challenging to revisit the vintage magic, festivity and wonderment of the

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FilmsMEDIA

Miss Bala [2019] (a film review by Frank Ochieng).

Clearly, enlisting the vivacious actress Gina Rodriguez as an exotic, harried heroine out to kick some Mexican baddie tail in

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FilmsHorrorMEDIA

Horror Noire: A History of Black Horror [2019] (a film review by Frank Ochieng)

One of the familiar clichés that have always been identified in mainstream horror cinema is that ‘the black guy or

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