Mass Effect: Foundation # 9 by Mac Walters (Writer) and Tony Parker (Artist) (comic-book review).
‘Mass Effect: Foundation’ is a series of comics exploring the back stories of the companions available to the player character
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Star Trek: The Newspaper Comics. The Complete Comics Volume Two 1981-83 (graphic novel review).
‘Star Trek: The Newspaper Comics. The Complete Comics Volume Two: 1981-83’ collects the daily original series ‘Star Trek’ newspaper strips
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Deadworld: Restoration # 2 by Gary Reed and Sami Makkonen (comic review).
The second issue of ‘Deadworld: Restoration’, dated January 2014, takes us further into the story set up by issue one,
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Modern Masters Volume Twenty-Nine: Cliff Chiang by Chris Arrant and Eric Nolen-Wathington (book review).
Cliff Chiang isn’t an artist I’ve come across before. Mostly, I suspect, because I haven’t really picked up on recent
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Pariah # 1 by Philip Gelatt (Writer) and Brett Weldele (Artist) (comic-book review).
Pariah # 1 is the first comic in a new series following the release of Aron Warner’s Pariah: Volume
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Mass Effect: Foundation #8 by Mac Walters (Writer) and Tony Parker (Artist).
The beginning of the eighth issue of ‘Mass Effect: Foundation‘ deals with the aftermath of Kai Leng and Agent Rasa’s failure to
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Serenity: Leaves On The Wind # 2 by Zach Whedon and Georges Jeanty.
It took me so long to get to the first issue of ‘Serenity: Leaves On The Wind’ that the second
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Deadworld: Restoration # 1 by Gary Reed and Sami Makkonen (comic-book review).
‘Deadworld: Restoration’ is a five issue monthly comic, in the long-running post-apocalyptic zombie series originally created by Stuart Kerr and
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Mass Effect: Foundation # 7 by Mac Walters and Garry Brown (comic-book review).
Finally, it’s the of ‘Mass Effect: Foundation’ comic I have been waiting for. Number seven or Jack’s issue. Jack is
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Steam Engines Of Oz Volume 2: The Geared Leviathan by Sean Patrick O’Reilly & Erik Hendrix (graphic novel review).
If there was one word I would use to describe ‘The Geared Leviathan’ graphic novel it is ‘sumptuous’. The layout,
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