The Mortal Instruments: City Of Bones by Frank Ochieng (film review).
Well, the search for the next ‘Twilight’ phenomenon continues desperately as Hollywood coughs up yet another pretender in the clunky
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The Iceman (film review by Frank Ochieng).
Director/co-writer Ariel Vromen’s ‘The Iceman’ will leave audiences cold with its chilling account of a monstrous family man whose balancing
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What Maisie Knew (a film review by Frank Ochieng).
The deeply affecting ‘What Maisie Knew’ is a tyke-oriented tearjerker that works on the soul. Filmmakers Scott McGehee and David
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Kiss Of The Damned (a film review by Frank Ochieng).
Writer-director Xan Cassavetes makes an ambitious yet misguided attempt to sink her teeth into the neck of the vampire vixen
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At Any Price (Frank’s Take) (film review).
Writer-director Ramin Bahrani (‘Chop Shop’, ‘Man Push Cart’, ‘Goodbye Solo’) tries his farm hand at the rural drama ‘At Any
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Mud (Frank’s Take) (film review).
Impeccably whimsical, observational, moody and soul-searching, writer-director Jeff Nichols’s downhome drama ‘Mud’ slings its share of southern charm and tension
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In the House (Frank’s Take) (film review).
French filmmaker Francois Ozon has always dipped his toes into the provocative pools of persuasion regarding various titillating subject matters.
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Disconnect (Frank’s Take) (film review).
Director Henry Alex Rubin’s (‘Murderball’) provocative and powerful cybercrime saga ‘Disconnect’ actually makes a solid connection in the cautionary fable
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The Company You Keep (Frank’s Take) (film review).
Hollywood icon and filmmaking legend Robert Redford gets right down to the real nitty-gritty as a roaring liberal lion on
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The Place Beyond The Pines film review (Frank’s Take).
Writer-director Derek Cianfrance’s (‘Blue Valentine’) thought-provoking drama of male-driven consequences in ‘The Place Beyond The Pines’ is a decent meditation on
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