Torchwood: Torchwood Soho: Ascension by James Goss (CD review).
The return of 1950s Torchwood, featuring Sergeant Andy Davidson (Tom Price), is always welcome. Norton Folgate (Samuel Barnett) must resolve
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The Diary Of River Song: The Orphan Quartet Series 12 by Lou Morgan, James Goss, Tim Foley and Lizzie Hopley (DC review).
This series is all about family. Time and Angels separate River from her parents. She feels the hurt deeply; she
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Back Issue #153 August 2024 (magazine review).
The cover of this ‘Back Issue’ clearly showcases a focus on younger comicbook characters. From a superhero perspective, it certainly
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Venom: The Last Dance, Mark Kermode’s superhero film review (video).
Here’s Mark Kermode’s take on the new superhero movie, Venom: The Last Dance, in the above video. And our thoughts
Read MoreJustice League Volume 8: The Darkseid War Part 2 (The New 52!) by Geoff Johns, Jason Fabok, Brad Anderson and Francis Manapul (graphic novel review).
We now arrive at ‘Justice League Volume 8: The Darkseid War Part 2 (The New 52!)’. Darkseid is dead, and
Read MoreJustice League: The Darkseid War: The Power Of The Gods by Peter J. Tomasi, Tom King, Steve Orlando, Frances Manapul, Rob Williams, etc. (graphic novel review)
I understand why there is confusion on one of the websites regarding the placement of ‘Justice League: The Darkseid War:
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Justice League Volume 7: The Darkseid War Part 1 (The New 52!) by Geoff Johns, Jason Fabok and Brad Anderson (graphic novel review).
There are three volumes associated with ‘The Darkseid War’. I’m still deciding where an unnumbered volume fits into all this,
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Comic Book Creator #35 Summer 2024 (magazine review).
TwoMorrows has been careful to move odder comicbooks, mostly due to content. Writer Bob Levin focuses more on Penthouse Comics
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Joker Folie à Deux: Mark Kermode’s superhero movie review (video).
Mark Kermode is here to bring you the inside skinny on the new superhero flick, Joker Folie à Deux. Watch
Read MoreDiabetes: Real against fiction, an article by: GF Willmetts.
Diabetes comes up occasionally in films and TV, and invariably, especially in American films, it is depicted wrongly and very
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