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Out Of The Dark Room by Max Richter (CD review).

The work of German-born and British-bred minimalist composer Max Richter has always lent itself to the cinema. His debut album, the towering โ€˜Memoryhouseโ€™, a landmark in modern classical music would find many of the tracks wending their way onto film trailers. Tracks such as โ€˜Sarajevoโ€™ was matched to the trailer of โ€˜Prometheusโ€™ while โ€˜Novemberโ€™ also proved popular. It is unsurprising that Richter would soon find himself providing film scores and โ€˜Out Of The Dark Roomโ€™ is a collection of some of the pieces that has provided across an eclectic selection of films.

Much of Richterโ€™s work reflects the juxtaposition between the sparse and intimate and the bold and epic. This is seen in the first collection of tracks, all taken from Richterโ€™s collaboration with Ari Folman for the animated film โ€˜Waltz With Bashir – The Haunted Ocean 4โ€™ is a sombre and sparse affair of low brass and sweeping strings that is haunting and beautiful. โ€˜Any Minute Now/Thinking Backโ€™ is a synthesizer heavy piece with driving drums and energetic violins that all combine to scream โ€˜chase sequenceโ€™. These two very different pieces complement each other and show off Richterโ€™s skill in being able to compose individually compelling tracks that are also manage to be an integral part of the images they accompany.

Richterโ€™s contributions to โ€˜The Congressโ€™, another Ari Folman animation this time based on the SF novel from Stanislaw Lem, show Richter dabbling with some traditional genre themes. โ€˜In The Cosmic Lobbyโ€™ uses synthesizers to create a piece redolent of 60 SF. But thereโ€™s also a dream-like and ethereal quality to the piece that has a sense of the achingly human. โ€˜On The Road To Abrahama 1โ€™ is a cheeky piece of electronica that has an air of playfulness.

Other films represented in this collection include French holocaust drama โ€˜Sarahโ€™s Keyโ€™ and Saudi Arabian drama โ€˜Wadjdaโ€™. Both are wildly different films yet are connected by the beauty of Richterโ€™s work which manages to strike the balance between the tense and the hopeful. As one of the great modern composers, this collection will allow fans of Richter to indulge in a well-chosen sampler of some of his best film works. For those who have yet to discover him, โ€˜Out Of The Dark Roomโ€™ should also provide an excellent introduction to his music and shows that he can work in a number of diverse styles whilst also bringing a unique beauty.

Laurence Boyce

September 2017

(pub: Milan Records. 2 CDS 88 minutes 28 tracks. Price: ยฃ12.99 (UK). ASIN: B06WD6JTBV)

check out website: https://milanrecords.com/

 

Laurence Boyce

Laurence Boyce is a film journalist who likes Bond, Batman and Doctor Who (just to prove the things he enjoys things that don't just start with a 'B'). He is also a film programmer for various film festivals in the UK and abroad.

Laurence Boyce has 53 posts and counting. See all posts by Laurence Boyce

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